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Simulating Transits of Large Objects at the L1 Lagrange Point for the 2018 Feature Film Clara

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Published May 2018 © 2018. The American Astronomical Society. All rights reserved.
, , Citation John E. Moores and Douglas Welch 2018 Res. Notes AAS 2 34 DOI 10.3847/2515-5172/aaa4be

2515-5172/2/2/34

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The motion picture Clara (Sherman 2018) tells the story of an exoplanetary astronomer who makes a momentous discovery. As part of the production process in early 2017, we served as scientific advisors and were tasked with producing simulated light curves to the art department for large objects located at the L1 Lagrange point of extrasolar planetary systems. These were of particular interest to the filmmakers as the L1 point of a star and planet system is inherently unstable. Therefore, any object located there must have a means of performing active station-keeping, suggesting an artificial origin as described by Gaidos (2017), though, at the time of production, simulated light curves resulting from objects at L1 or nearby had not been published.

The position of the L1 point in a star–planet system may be approximated as the edge of the planet's Hill sphere along a line linking the centers of the planet and the star at a distance, d, from the planet (de Pater & Lissauer 2010). There are two potential geometries that can cause modifications of the planet's primary transit. (1) An object precisely at the L1 point is visible against the star near the beginning and end of the transit, but is hidden behind the planet at near mid-transit, producing a "W" shaped transit (Gaidos 2017) or (2) an object orbiting the L1 point offset to one side of the planet producing an unbalanced light curve, much as would be expected for an exomoon (Simon et al. 2007).

For case (2), many transits must be examined before the object can be conclusively be determined to orbit the L1 point and not the planet itself. However, for case (1), a single transit is diagnostic (see Figures 1(b), (e)). Considering similar triangles, the separation between the centers of the planet and the L1 object, ΔR, projected against the stellar disc can be determined at the stellar limb, as a fraction of the radius of the stellar disc, R:

Equation (1)

Considering typical mass–radius relationships across a variety of planetary compositions (Fortney et al. 2007), radius typically increases somewhat less rapidly than the cube root of planetary mass due to internal compression. As such, the effect on the transit light curve is maximized for massive planets. A representative case is shown in Figure 1 for the star Gliese 832 and a simulated terrestrial planet. Here the disc of the star is represented by an image of the solar disc (captured by Geoff Elston on 2013 October 27) and noise has been artificially added.

Figure 1.

Figure 1. Simulated transits of objects at or orbiting the L1 point between the star Gliese 832 and a simulated Earth-sized planet. (a, d) An object orbiting L1 that appears off to one side of the larger planet, (b, e) An object at L1 that is the same area against the star as the planet and (c, f) a pathological case of a fin-shaped object that accentuates the "W" shaped transit curve.

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An important question not addressed by our work is whether or not large objects at or near L1 are expected. This location is advantageous for spacecraft that seek to observe the Sun or to continuously monitor the full illuminated disc of the Earth. However, the most likely purpose of a large object at this location would be a shade designed to maintain a constant planetary temperature as the parent star ages and its luminosity increases (Gaidos 2017). A shade at L1 would produce a constant annular eclipse as viewed from the planetary surface. For an earth-like planet orbiting a Sun-like star, a reduction in solar flux by 10%, the amount by which solar luminosity is expected to increase over the next billion years would require a shade 2200 km in diameter. This is the same order of magnitude as the planetary radius, suggesting that if such artifacts exist they would produce a maximal "W" signature.

The authors would like to thank director A. Sherman, producer A. Lantos and art director K. Malszecki for their efforts in getting the science of Clara as accurate as possible. We are also indebted to the previous science advisor Prof. B. Netterfield along with contributions from Dr. I. Bruno.

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10.3847/2515-5172/aaa4be